Back in late March, I was hired to film and photograph a Vermont-based business called Hubbardton Forge. AOL teamed up with Ford to do an article and short video about one American-based business for every state. This particular shoot was challenging as I only had two hours to film at the forge (to create a one minute video that was up to me to cut and find the story), as well as take enough photos to delivery about 25 selects to the client. It was tough, but really fun. My favorite aspects of filmmaking are traveling, meeting new people, and learning about something I previously knew nothing about—I was able to do all of those on my trip to Hubbardton Forge.
While the shoot itself was a challenge (that I was only able to complete with the great support of the Hubbardton Forge employees), the post production process (which had an equally tight schedule) was where I learned some new techniques for delivering a good product quickly.
In my previous post, I wrote about getting client photo selections out of Zenfolio and in to Lightroom, which was for this gig. The clients seemed to really enjoy using Zenfolio, and it was very easy for me to get the list and start the color correction process. I also broke down and finally purchased VSCO film pack 02. The VSCO film packs really helped correct some of the left over nasty colors thanks to industrial lighting. It also gave the images a nice film look, and helped me deliver the final product much faster than I could have if I was doing everything by hand (the “orange skin fix” preset is worth the fee alone).
The hero of this project was FCPX and my new 27″ iMac. I finally upgraded from a Mac Pro 1,1 (7 years old!) to an i7, 4GB of video RAM power house (I never thought I’d call an iMac a powerhouse). I got the rig just in time—literally the day before. And I’m so glad I did. I didn’t have to wait for transcodes, I didn’t have any crashes, and with 16GB of RAM, I could have Lightroom and FCPX open at the same time without any issues!